Key: A
Introduction: Am
D7
F
Am
Oh, well imagine, as I'm pacing the pews in a church corridor,
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
D7
F
"Yes, but what a shame, what a shame, the poor groom's bride is a whore."
Am
F
D7
F
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am
F
D7
G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am
F
D7
F
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am
F
D7
G
No, it's much better to face these kinds of things with a sense of...
Am
Well in fact, well I'll look at it this way, I mean technically our marriage is saved
D7
F
Well this calls for a toast, so pour the champagne
Am
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
D7
F
Am
Em Em7
Well this calls for a toast, so pour the champagne, pour the champagne
Am
F
D7
F
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am
F
D7
G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am
F
D7
F
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am
F
D7
G
Am
F
G
Am
F
G
No, it's much better to face these kinds of things with a sense of poise and racionality
Am
F
G
Again...
Am
F
D7
F
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am
F
D7
G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am
F
D7
F
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am
F
D7
G
Am
F
G
Am
F
G
No, it's much better to face these kinds of things with a sense of poise and racionality
Am
F
G
Again...