Call Me fue compuesta por Deborah Harry y Giorgio Moroder para la banda sonora de la película American Gigolo, lanzada en 1980. La colaboración surgió después de que Moroder se acercara inicialmente a Fleetwood Mac para trabajar en una canción para la película, pero terminó trabajando con Harry después de que Stevie Nicks rechazara la oferta. Call Me se convirtió en un gran éxito, encabezando las listas en varios países y convirtiéndose en uno de ... Ver más [+] los sencillos más vendidos del año.
Tono: Dm
Dm
G
F
Dm
F
C
Dm
Color me your color, baby,
A#
color me your car.
Dm
Color me your color, darling,
A#
I know who you are.
Gm
A
Come up off your color chart;
Gm
A
I know where you're coming from.
Dm
F
Call me (call me) on the line,
Gm
A#
call me, call me any, anytime.
Dm
F
Call me (call me) I'll arrive,
Gm
A#
you can call me any day or night.
Dm
Call me!
Dm
G
F
Dm
F
C
Dm
Cover me with kisses, baby,
A#
cover me with love.
Dm
Roll me in designer sheets,
A#
I'll never get enough.
Gm
A
Emotions come, I don't know why;
Gm
A
cover up love's alibi.
Dm
F
Call me (call me) on the line,
Gm
A#
call me, call me any, anytime.
Dm
F
Call me (call me) I'll arrive,
Gm
A#
when you're ready we can share the wine.
Dm
Call me.
Dm
G
F
Em
A
G
Em
Bm
Ooh, he speaks the languages of love.
Em
Bm
Ooh, amore, chiamami (chiamami).
F
C
Ooh, appelle-moi, mon cheri (appelle-moi).
Dm
A#
Anytime, anyplace, anywhere, anyway!
Gm
A
Anytime, anyplace, anywhere, any day, anyway!
Em
Bm
Em
Bm
F
C
Dm
A#
Gm
A
Dm
F
Call me (call me) in my life,
Gm
A#
call me, call me any, anytime.
Dm
F
Call me (call me) I'll arrive,
Gm
A#
call me, call me for some overtime.
Dm
F
Call me (call me) in my life,
Gm
A#
call me, call me in a sweet design.
Dm
F
Gm
A#
Call me, (call me) call me for your lover's lover's alibi.