La canción 3005 fue lanzada por Childish Gambino y aborda temas de soledad, inseguridad y el deseo de compañerismo inquebrantable ante un futuro incierto. El tema refleja sobre la necesidad humana de conexión mientras se navega por las altas y bajas de la vida. La elección del año 3005 sirve como una metáfora de un amor eterno, destacando la profundidad del compromiso del narrador con su amor.
Tono: C#m
Introducción:
C#m7
D7M
F#m7
D7M
x2
C#m7
D7M
F#m7
No matter what you say or what you do
D7M
C#m7
When I'm alone, I'd rather be with you
D7M
F#m7
Fuck these other niggas, I'll be right by your side
D7M
'Til three thousand and five, hol' up
C#m7
D7M
Okay, hold up, wait a minute, all good just a week ago
F#m7
D7M
Crew at my house and we party every weekend so
C#m7
D7M
On the radio, that's my favorite song
F#m7
D7M
Make me bounce around, like I don't know, like I won't be here long
C#m7
D7M
Now the thrill is gone, got no patience, 'cause I'm not a doctor
F#m7
D7M
Girl why is you lying, girl why you Mufasa
C#m7
D7M
Yeah, mi casa su casa, got it stripping like Gaza
F#m7
D7M
Got so high off volcanoes, now the flow is so lava
C#m7
D7M
Yeah, we spit that saliva, iPhone got message from Viber
F#m7
D7M
Either the head is so hydra, or we let bygones be bygones
C#m7
D7M
"My God, you pay for your friends?" I'll take that as a compliment
F#m7
D7M
Got a house full of homies, why I feel so the opposite?
C#m7
Incompetent ain't the half of it
D7M
Saturdays we're Young Lavish-ing
F#m7
Saddest shit, is I'm bad as it
D7M
C#m7
Beans they took from the cabinet (Whoa)
D7M
Sorry, I'm just scared of the future
F#m7
D7M
'Til 3005, I got your back, we can do this, hold up
C#m7
D7M
F#m7
No matter what you say or what you do
D7M
C#m7
When I'm alone, I'd rather be with you
D7M
F#m7
Fuck these other niggas, I'll be right by your side
D7M
C#m7
'Til three thousand and five, hol' up
D7M
F#m7
Hol' up (Hol' up), hol' up (Hol' up)
D7M
C#m7
Hol' up (Hol' up), hol' up (Hol' up)
D7M
F#m7
D7M
Hol' up (Hol' up), hol' up (Hol' up)
C#m7
D7M
F#m7
No matter what you say or what you do
D7M
C#m7
When I'm alone, I'd rather be with you
D7M
F#m7
Fuck these other niggas, I'll be right by your side
D7M
C#m7
'Til three thousand and five, hol' up
D7M
F#m7
Hol' up (Hol' up), hol' up (Hol' up)
D7M
C#m7
Hol' up (Hol' up), hol' up (Hol' up)
D7M
F#m7
D7M
Hol' up (Hol' up), hol' up (Hol' up)
C#m7
D7M
F#m7
I used to care what people thought, but now I care more
D7M
I mean, nobody out here's got it figured out
C#m7
D7M
So, therefore, I've lost all hope of a happy ending
F#m7
D7M
Depending on whether or not it's worth it, so insecure, no one's perfect
C#m7
D7M
We spend it with no shame, we blow that like Coltrane
F#m7
D7M
We in here like Rogaine, or leave it like Cobain
C#m7
D7M
And when I'm long gone, whole crew sing a swan song
F#m7
D7M
Cause we all just ticking time bombs, got a Lambo like LeBron's mom
C#m7
D7M
And no matter where all of my friends go, Emily, Fam, and Lorenzo
F#m7
D7M
C#m7
All of them people my kinfolk, at least I think so, can't tell
D7M
F#m7
'Cause when them checks clear, they're not here
D7M
C#m7
'Cause they don't care, it's kinda sad but I'm laughing whatever happens
D7M
F#m7
Assassins, I'm stabbed in the back of my cabin
D7M
Labrador yapping, I'm glad that it happened, I mean it
C#m7
D7M
Between us, I think there's something special, and if I lose my mental
F#m7
D7M
Just hold my hand, even if you don't understand, hol' up
C#m7
D7M
F#m7
No matter what you say or what you do
D7M
C#m7
When I'm alone, I'd rather be with you
D7M
F#m7
Fuck these other niggas, I'll be right by your side
D7M
C#m7
'Til three thousand and five, hol' up
D7M
F#m7
Hol' up (Hol' up), hol' up (Hol' up)
D7M
C#m7
Hol' up (Hol' up), hol' up (Hol' up)
D7M
F#m7
D7M
Hol' up (Hol' up), hol' up (Hol' up)
C#m7
D7M
F#m7
No matter what you say or what you do
D7M
C#m7
When I'm alone, I'd rather be with you
D7M
F#m7
Fuck these other niggas, I'll be right by your side